In the novel “Empire of Wild” by Cherie Dimaline, a saga unfolds as three generations of women strive to rescue their family member from the clutches of the werewolf-like Rogarou, aiming to find their missing husband and safeguard their territory from corporate encroachment. This intense and captivating narrative was honored as Indigo’s top book in 2019, surpassing renowned works such as Margaret Atwood’s “The Testaments” and Taylor Jenkins Reid’s “Daisy Jones & The Six.”
A substantial investment of around $4 million is underway to assemble an Indigenous-led creative team for transforming the novel into an opera, with the grand premiere scheduled for next spring in Toronto. This innovative initiative seeks to attract a diverse audience, including younger generations and those new to opera, while potentially challenging traditional opera enthusiasts.
Set in the Georgian Bay Métis community of Penetanguishene, Ontario, where author Cherie Dimaline hails from, “Empire of Wild” resonates deeply with composer Ian Cusson, who also originates from the same region. Cusson identified elements from his upbringing within the narrative, drawing inspiration from familiar characters and vernacular.
The adaptation strives to present relatable contemporary characters that mirror modern audiences, featuring diverse personas, including queer individuals and a working-class family navigating extraordinary circumstances. The opera embraces a modern tone, incorporating realistic dialogues, including profanity and humor, to create a dynamic and engaging experience.
Centered on themes of power, resistance, and resilience, “Empire of Wild” follows Joan’s quest to reunite with her husband amidst mysterious circumstances. The tale highlights the importance of intergenerational support and matrilineal bonds, drawing from Métis folklore while showcasing a diverse cast of talents.
The opera’s creative team, inclusive of Indigenous artists like Innu soprano Elisabeth St-Gelais, embodies a narrative of resilience and cultural continuity, offering a fresh perspective on traditional stories. The production’s significance lies in its portrayal of survivance, symbolizing Indigenous communities’ ability to maintain their heritage amidst external challenges.
Led by Indigenous creators and collaborators, the opera marks a significant milestone in the artistic landscape, showcasing a diverse array of talents and voices. The inclusive approach to creation, emphasized by the team, aims to foster equality and recognition of each contributor’s unique perspective, fostering a nurturing environment for artistic expression and innovation.
